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First published online January 18, 2008
Journal of Experimental Biology 211, 317-326 (2008)
Published by The Company of Biologists 2008
doi: 10.1242/jeb.013359
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How to identify dear enemies: the group signature in the complex song of the skylark Alauda arvensis

Elodie Briefer*, Thierry Aubin, Katia Lehongre and Fanny Rybak

University Paris 11, NAMC, CNRS-UMR8620, Orsay, France


Figure 1
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Fig. 1. Sound spectrogram of a part of a flight song of a male skylark. Each syllable is labelled with a number (same syllables have the same number). A phrase corresponds to a succession of at least three different syllables repeated by the same individual or shared by different individuals. Here, the phrase 1 is composed of syllables 3, 4, 5 and 6, and is repeated twice, consecutively.

 

Figure 2
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Fig. 2. Syllable classification. (A) Sound spectrogram of four syllables produced by six different individuals (Ind; individuals are identified by a number corresponding to the location and a letter that differentiates them from their neighbours inside the location). (B) Examples of syllables (Syl) classified as `identical' or `different'. Sound spectrograms of 11 pairs of `identical' syllables produced by two different individuals. Double lines separate groups of syllables that have a similar shape but that were classified as `different'.

 

Figure 3
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Fig. 3. Dendrogram of Euclidean distances between the repertoire similarity (RS) values calculated for skylark males holding territories in same or different locations (here three locations spaced out by at least 2 km). Subjects are identified by a number corresponding to their location and a letter that differentiates them from their neighbours inside the location.

 

Figure 4
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Fig. 4. Spectrograms of song parts produced by three individuals from the same location (3g, 3h and 3i), all including the same phrase (asterisk). (FFT length, 512; frame, 100%; bandwidth, 122 Hz; resolution, 93 Hz, Hamming window.)

 

Figure 5
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Fig. 5. Proportion of subjects (N=15) present 10–5 m from the loudspeaker (d2), at less than 5 m from the loudspeaker (d1) and over the loudspeaker (d0) during playbacks of N, C and S songs (P values refer to post-hoc Cochran Q test).

 

Figure 6
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Fig. 6. Proportion of subjects (N=15) observed chasing other males present in the vicinity during playbacks of N, C and S songs (P values refer to post-hoc Cochran Q test).

 

Figure 7
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Fig. 7. First principal component scores (means ± s.e.m., N=15) for playbacks of N, C and S songs.

 





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